Amateur guitar fight. Guitar fighting for beginners: hard to learn - easy to perform. Guitar fight - legend
Rhythm guitar for beginners: gallop, shuffle, ska, reggae and modern rock.
When it comes to rhythm guitar, one of the most important things is getting into the rhythm of the composition. It is necessary to be 100% sure that the rhythm part being played will not stand out from the overall picture of the sound.
Today we're going to take a look at 5 of the most common rhythm guitar playing patterns that will fit most songs in 4/4 time. Do not worry about your own knowledge of musical theory. In our case, 4/4 means only that it is necessary to keep count from 1 to 4 in order not to "fly" past the rhythm.
blues shuffle
Let's start our rhythm guitar lesson for beginners with perhaps the most common pattern that many will consider too clichéd. Despite this, the fact remains that such a blues shuffle is the most common guitar rhythm of all time.
In addition to being incredibly common, the rhythm is very easy to learn: just use your index finger to play notes on the second fret, and use your ring finger to play sounds on the fourth fret. Once you reach the 5th fret, you can either use your little finger or move down one fret with your ring finger.
A blues shuffle is usually played with alternating up-and-down picks, but you can try using only the downstring to start with.
Gallop
The gallop is known for its use in heavy music: every self-respecting metalhead and metal band has used this rhythmic pattern at least once. Just listen to the work of Iron Maiden or the same Metallica to understand that the masters do not shy away from this variant of playing rhythm parts.
At first glance, it may seem that the canter is a slightly modified blues shuffle, whose speed and straightness in execution creates a more aggressive sound. Nevertheless, the whole essence of the gallop is based on the following movements of the mediator: down, down-up.
An example is the methodical playing of the rhythmic pattern described above and the chord at the end.
Ska-punk chas
A ska-punk chas is characterized by playing the high notes of a chord on a down beat, usually accompanied by a "walking" bass line. Ska originated in Jamaica, and commercial success came to the style in the 1980s and 1990s. along with such bands as The Specials, Madness, Rancid and Sublime.
The above example well reflects the characteristics of ska-punk chess. Use chords with no open bass notes (or mute 5-6 strings), and be sure to add a pause between each chord extraction by simply releasing the pressed strings. Each chord is played by hitting the pick up (towards you).
reggae
The style of rhythmic patterns in reggae and rocksteady is actually based on the slow performance of ska-punk chess to create additional space in the music.
In our example, we're using chess with double strokes (two consecutive strokes for each chord). Something similar can be heard from Bob Marley in Trenchtown Rock. The more familiar single hit per chord can be found on songs like 'Buffalo Soldier' and 'Could You Be Loved'.
Pauses between chords in tablature should help to catch the rhythm of the part. All that is required now is to combine double and single strikes through pauses.
three three two
This rhythmic pattern is strongly associated with modern rock and pop rock. For example, Muse used this pattern in 1999's 'Uno', Foo Fighters played this rhythm on 'Best of You', but the most famous example is Coldplay's well-known 'Clocks'.
The simplest version of the execution involves eight strokes with a mediator from oneself. The only thing that is required of the guitarist is to emphasize the first, fourth and seventh notes in a measure by using a whole chord.
On the other hand, this rhythmic pattern is often used in this way: the first, fourth and seventh notes are played in full force, and all intermediate sounds are extracted with muting (pizzicato or palm-muting).
Count like this: "One-and-two-One-and-two-One-and" to catch the rhythm. If using the barre seems hard enough, just use power chords with no overtones.
Surely you have already seen in tutorials or other sources the proposed ways of conducting accompaniment on the guitar in the form RHYTHMIC PATTERNS.
What is rhythmic pattern? And how to read it?
To begin with, let's consider the simplest elements (movements of the right hand in graphical form), combining which we get rhythmic techniques for extracting sound:
All melodies can be divided into parts of the same duration - BEATS. Also, all melodies have rhythmic pattern- a concretely pronounced rhythm of alternation. And with all this, this pattern does not change throughout the entire melody.
The main feature of the drawing is its SIZE - the number of more energetic and bright notes in one measure. Often this pattern exists only in the musician's head, who counts the melodies from the very beginning to the end, following the long notes and pauses.
The most commonly used sizes are: "TWO" - "THREE" - "FOUR" - "SIX". For example, when soldiers walk, they follow the count: "ONE - TWO - LEFT - RIGHT"- this is the size "FOUR". Suppose the same soldiers will also sing a song, it turns out that in order not to stray from the step, they will also have to sing in this size.
For example song:
If a chord will sound for each score of the song, then we will have a simple kind of accompaniment. Its graphical form is as follows:
Due to the fact that all consonant sounds do not stretch, they cannot be sung and it turns out that all the beats fall on vowels. From the figure we see that the accompaniment goes all the time in a circle. To depict the pattern of this rhythm, it is easier to depict what is repeated.
Examples are shown in order to convey one thing! There can be a lot of RHYTHM DRAWINGS.
Practice:
You need to work out each technique very slowly, counting (better aloud) the beat numbers (written under the arrows).
To begin with, practice rhythm without chords on muted strings. And then hold down a light chord (for example E, C, D) and practice on one chord. The rhythm should be clear, slow and even. Only after these exercises learn to link chords, starting with.
Greetings dudes and dudes who read and look at the pages of my site! In this article I want to tell you a little about what guitar fighting is and what exist. All beginners "Zinchuk", in fact initial stage they dream of mastering a couple of types of combat and playing their favorite songs with friends, somewhere in nature or at a fun party. Now I will actually show you these basic types of fighting on the guitar.
So read, watch, learn!
We'll start with a definition. To put it briefly and more clearly, guitar fighting is a playing technique when your right hand simultaneously strikes all the strings (well, or almost all) with sweeping movements, extracting a sound. The name of the expression "guitar fight" itself is unprofessional, this expression was coined among amateur guitarists. Professionals and there all sorts of guitar gurus do not like and do not use the expression "guitar fight", they call it rhythmic patterns. If we look into history, we will see that this technique was originally called “Razgeado”. And it was invented by Spanish guitarists, which is why this name is actually.
Guitar fighting is common among novice amateur guitarists, because beginners "Zinchuk" consider guitar fighting a panacea, well, these guys are mostly not your fault, stereotypes are to blame for everything. Yes, and mastering the fight is not so difficult. Guitar fight in its basic sense is various combinations of strikes on the strings and pauses. This is mainly applicable for .
Guitar fighting is mainly intended for accompaniment to singing or other solo instruments. The principle of playing a guitar fight is quite simple, and is as follows: chords are put and moved with the left hand, and the right hand extracts the sound by hitting the strings in various combinations. The main thing is to learn and understand how strikes are made and in what sequence. Also dudes and dudes, in order to properly master and apply guitar fighting, you must have a sense of rhythm. At the initial stage, in order to feel the rhythm, I recommend everyone to use a metronome. It is not necessary to have a metronome in a physical version, use electronic ones, you can now download hundreds of them on the Internet.
Guitar battles are used to perform both yard (army, bard) songs, and such musical trends as rock, jazz, country and others. The types of guitar fights are quite diverse, and there are also a lot of names of fights, you probably already heard such expressions as “double fight”, “quadruple fight”, “six fight”.
Now let's look at the main ones. To begin with, let's get acquainted with what notation we will show string strikes for each type of guitar fight:
v - this is how a blow down the strings from the sixth to the first is indicated .
^ – and this is a blow up the strings from the first to the sixth .
X - and this sign means muting the strings, with the edge of the palm right hand .
It is actually from the combinations of these designations that various options guitar fights. In general, guys, I want to tell you that guitar fighting or, as the pros say, rhythmic patterns are purely individual things and each guitarist can experiment with combinations and come up with their own combinations.
Watch a video on how your right hand should perform these elements:
But let's take a look at the main types of guitar fighting that you can meet most often:
- The first battle looks like this : v v v ^ v. This is one of the easiest types of combat.
- The second type of battle looks like this : v ^ v^ v. As can be seen from the notation, first there is a downward blow, then an upward blow, then again a downward blow, then up, and everything ends with a downward blow. This type combat can be diversified and use the muting of the strings with the palm of your hand. Then we get the next kind of battle.
- The third type of combat . It looks like this: v ^ vx ^ v ^ vx ^. This is a muffled combination of the second type of combat. As you can see the sign vx means that the downward strike occurs with the strings being muted with the palm of your hand.
- The fourth type of combat : v vx ^ ^ vx ^. This is the most common type of fight, this guitar fight is called six. This fight starts with a down punch, then down again but with a palm muting, then up and up again then down with a muffle and ends with an up punch. This type of combat is quite difficult, so you guys will have to work hard and practice to confidently perform it.
- The last kind of fight : v v v ^ ^ v v. Here is another of the common types of combat. It is also quite complex.
Above, I gave you only the most basic and frequently used types of guitar fighting. In order to diversify the main types of combat that were presented above, you guys will need to experiment a bit and try all kinds of combinations of up, down and mute, skip somewhere, add somewhere, and so on. Experiment, and may you be happy and joyful.
And finally, I want to tell you that in order to understand what kind of battle a song is played, you don’t need to run to the forums and forgive me for the expression zao .... ask all questions like: "help me pick up a fight?", "What kind of fight is there?" ?”, “but in tabs the battle is like this, but in reality it’s not like that?”. Just sit down, put on your headphones, listen to the song to the holes and carefully listen to the rhythm and start experimenting with the guitar in your hands. Well, or if there is an opportunity to watch a video recording of some cool dude playing this song, then you guys are lucky, you can see the fight of your favorite song on the video. Therefore, it is also very useful to browse YouTube for the presence of such videos :=)
All dudes and dudes, this article ends. Study carefully and apply. I wish you success!
I would also be very grateful if you share the link to the article with your friends, maybe it will help them as well as you. Press "I like", tweeter and social buttons. networks, leave comments.
After buying acoustics or classics, a novice guitarist thinks about new types of playing.
Having mastered your first chords and enumerations, you can proceed to the study of the technique of playing by combat. There are many varieties of it. Read what combat schemes are and how to play it.
Imagine a picture: a young guy is standing at the window of his girlfriend and does not know what to do next. To make the instrument sound, you need to master the technique of combat.
This game is simple, learning will not take much time. Familiarize yourself with the main varieties.
Important! A guitar fight is a certain alternation of strong and weak beats. With the help of a simple rhythm, a piece of music is created.
All that a beginner musician needs to know is to strike the strings. Before learning any combat, you should get the hang of it. You can play with your whole hand or with one finger.
Try to get started with a few simple exercises:
- Gather your hand as if into a fist, but do not close your fingers. This is the correct starting position for the hand.
Move your hand from the sixth string to the first, straightening your fingers. In the left hand, you can press any chord. Do not be afraid, the strings will remain intact from your strike.
- With your left hand, hold down any of the guitar chords. Run the thumb of your right hand along the strings from sixth to first.
Try to play with the side part with the nail, the phalanx should be straight.
- In a motion as if you were calling to yourself, play the beat in the opposite direction: from the first string to the sixth. Try not to cling to your nails.
- Instead of the whole hand, use only the index finger. With the same beckoning movement, draw along the strings from the sixth to the first.
Important! In some chords, it's best to avoid strumming across all the strings. For example, when playing D minor, it is better not to touch the fifth or sixth string.
After training exercises, you can begin to master new rhythms. The simplest types of combat are described in the table.
A novice musician in the process of playing music can come up with his own interesting rhythm:
| Type of fight | Description |
| Six (6) | Two movements down, two up, down and up. The easiest type that can be mastered after a few minutes of training. Can be used in 3/4 size |
| Eight (8) | It consists of eight strokes, which is what the name of the technique says. Such a fight is suitable for works in four quarters. Can be used for a boss nova style, highlighting every third hit during play |
| Four (4) | It consists of four strokes, during which it is worth lingering on the third sound. Fits plain two quarter sizes |
| Fight Tsoi | Named after the famous soloist of the Kino group. It is played quickly, with specific accents typical of Tsoi's works. |
| Thieves | Dance rhythm in which beats alternate with the playing of the bass string |
| Spanish | At the same time, you need to play not with simple strokes, but in the technique of rasgueado - spreading your fingers like a fan, alternately playing at a fast pace with each |
| reggae | A variant with alternating strikes on a string or deck. Sometimes there are options when jamming is done with the left hand |
| Gypsy | Similar in speed and style to Spanish. At the same time, the bass sounds its own melody |
| Fight Vysotsky | A classic of the genre, which is similar to the thieves variety. But the variant differs in the complexity of the game |
| Country | Folk is typical of American pop music. This is the alternation of playing the bass with the thumb and hitting all the strings. |
| Chechen | The peculiarity of the battle is the placement of accents on weak beats |
You can master the principle of the game in a few minutes, but it is quite difficult to place the right accents.
Play in several stages: memorize the rhythmic pattern, place accents and emphasize the indicated beat louder. After that, you can start studying jamming.
How to properly play a fight with silence
A mute is the closing of a chord on a guitar. In this way, you can create an emphasis on the beat or give the work a special character.
This technique is used for thieves combat, Spanish or American.
Important! Start playing with muting when the type of combat is fully memorized.
Muting can be played in two main ways: with the right or left hand. In the first variant, after hitting up or down, turn the brush, and stop the sound of the strings with the edge of the palm of your hand.
The second option is to put your index finger on the strings on the fret on which you play the chord.
A great way to mute is when playing with a barre. Just release the chord, leaving your fingers on the strings, but not pressing down.
If you need to mute only part of the strings, then it is convenient to do this with the thumb of the right hand on the bass, and with the index finger at the top.
Simple songs by fighting on chords
Try to put your knowledge into practice. Simple songs will help to master the fight to perfection.
"Pack of Cigarettes" - select a fight for two quarters, for the song Spleen - for four. Good luck with your music education.
"A pack of cigarettes"
Intro: Am C D Em
E|——7-5——3———-5————7-5——-3———5——-
H|———-5——5———-6——-7——5——-5———6——
G|-4-5———5——5-7——-5-4————5——-5-7——5-4-
Em Am C D Em
I sit and look at someone else's sky from someone else's window
And I don't see a single familiar star.
I've walked all the roads to and fro,
I turned around and couldn't see the footprints.
Chorus:
Em Am C D Em
But if you have a pack of cigarettes in your pocket,
So it's not all that bad these days.
And a plane ticket with a silver wing
That, taking off, leaves only a shadow to the earth.
And no one wanted to be guilty without guilt,
And no one wanted to rake in the heat with their hands,
And without music in the world, death is not red,
And without music, you don't want to disappear.
Chorus.
Splin "There is no way out"
Introduction:
Em C G D Em
How many years have passed, all the wires are buzzing about the same,
C G
All the same waiting for the planes.
C G D
Em
C G
Melts under machine gun fire.
C G D
Someone must melt...
Chorus:
Em
Dawn is coming soon
C
No exit,
G D
Turn the key and fly
Em
Need to enter
C
In someone's notebook
G D
Blood, like in the subway:
C D
"No exit".
Em
No exit!
Somewhere we parted, I don’t remember in which cities,
Like it was a hangover.
Trains go through my songs,
Disappearing in a dark tunnel.
If only we woke up in the same bed ...
Chorus:
How many years will pass, all about the same buzzing wires,
All the same to wait for the aircraft.
The girl with the eyes of the bluest ice
Melts under machine gun fire.
If only we woke up with you in the same bed ...
Chorus.
Useful video
So what is guitar "battle"? For many, this is a picture - the performer's hand rapidly moving along the strings down - up and back ... :) And almost every beginner peers and listens to such mysterious rhythms, for subsequent independent playback. Someone grasps, as they say, on the fly, but for someone it is a whole journey lasting weeks and even months. A lot depends on the usual desire, and of course on the ability to hear. But still desire, I dare say that the initial desire and further sincere efforts will determine your final result! For those who have BAD HEARING, but HAVE GREAT DESIRE:
Consider the following diagram of the movement of the right hand. The easiest way to play guitar "battle"– movement of the hand along the strings down-up- and back... Play this way 2-4 times on each chord. At the same time, it is very IMPORTANT to learn how to count.
Downward movement - count "ONE!" Moving up - counting "And!"
Then moving the hand down - count "TWO!" Move your hand up - count "And!" 
To get more beautiful guitar "battle", it is necessary on one movement of the hand “up - And” not to touch the strings with it. (The hand moves in the air at a short distance from the strings). And without knocking down further accounts. 
We keep on losing. In this case, the hand should always move smoothly (up and down), but not always touch the strings. Everything is simple! :) I think that it was not so interesting and difficult for you, so I suggest you watch the video tutorial and learn how to play the easiest types of guitar. fight.
